Christmas Above the Clouds
A workaholic boss tries to dodge Christmas by flying as far from it as she can, and a Dickens-shaped night…
Festive Factor 64 out of 100: A different kind of Christmas.
Essential Christmas · 2025
Hallmark's workplace comedy: Santa has outsourced his list to a consultancy, and its inspector is sent to…
The CineClaus Christmas score
Christmas in good measure.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Warm in tone. Nothing bad can really happen. A happy ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →A consultant from the firm that now decides who is on Santa's naughty or nice list is sent to assess an eleven-year-old girl. She ends up falling for the girl's widowed father, and has to choose between her firm's rigid formula and what she feels. Lacey Chabert and Andrew W. Walker lead, in a Hallmark Channel original.
Hallmark's workplace comedy: Santa has outsourced his list to a consultancy, and its inspector is sent to judge one eleven-year-old and her widowed dad. The premise is the best thing here, a gentle jab at algorithms deciding who deserves a present.
Much of the middle is office and stakeout rather than snow, and the last act hurries. Still, Lacey Chabert and Andrew W. Walker are easy company, the ending is kind, and it is an undemanding 84 minutes.
Our take: fine for most children from about five. There is no real threat, only a cold company and a girl who feels judged.
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