Jingle All the Way
A film about the specific horror of Christmas Eve shopping, which is a better subject than it usually gets…
Festive Factor 74 out of 100: A different kind of Christmas.
Not really, no · 1964
Not a film to rate as cinema, and a perfectly good one to laugh along with.
On Pluto TV · UK subscription →The CineClaus Christmas score
Christmas in good measure.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Mostly warm in tone. Moderate threat. A content ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →

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A planet of listless children, glued to Earth television, prompts its rulers to fetch a Father Christmas of their own. They abduct two Earth kids to find the real one, carry him off to their red world and set him to work in a push-button toy factory. A sulking hardliner plots to be rid of him, and the children answer with a toy-throwing counterattack. The cheerfully cheap American production is now a cult staple of worst-film lists.
Not a film to rate as cinema, and a perfectly good one to laugh along with.
The premise is the kidnapping of Father Christmas by a planet of bored children, played with cardboard sets, painted ray guns and a man in a bear suit. It has an honest streak of kindness, and the toy-throwing finale is joyful chaos.
Christmas is the engine more than the setting, so the festive glow is thin. Best seen with company and low expectations.
Our take: fine from about six: there is an airlock threat, paralysis guns and a scrap, all played as slapstick, though the villain may unsettle the very small.
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