Santa Claws
A shot-on-video slasher from John Russo, co-writer of Night of the Living Dead, in which the obsessive…
Festive Factor 33 out of 100: A different kind of Christmas.

Christmas-adjacent · 1990
A Christmas film only on the calendar.
The CineClaus Christmas score
A different kind of Christmas.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Chilly in tone. Genuinely frightening. An unsettled ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →In a scorched, overcrowded future city it is Christmas Eve and blisteringly hot. A soldier home from the wastelands brings his sculptor girlfriend Jill a battered robot head he bought from a desert scavenger, as a Christmas present for her scrap-metal art. Jill works it into a sculpture, but the head is part of a military killing machine that can repair itself, and through the night it rebuilds a body from the junk in her flat and turns on anyone inside. Sealed in with it as Christmas Eve turns into Christmas morning, Jill has to fight back on her own. Richard Stanley's feature debut, made in Britain.
A Christmas film only on the calendar.
It is Christmas Eve, the city is baking, and the present under the arm is a robot head that should have stayed in the desert. What follows is a siege in one red-lit flat, loud with industrial rock and properly nasty with it.
Richard Stanley made it at 23 on a shoestring and it still looks expensive. There is no tree, no snow and no goodwill, just a woman fighting a machine until morning.
Our take: adults only: the BBFC notes strong bloody violence and sex, and the gore is graphic.
A shot-on-video slasher from John Russo, co-writer of Night of the Living Dead, in which the obsessive…
Festive Factor 33 out of 100: A different kind of Christmas.The fourth Silent Night, Deadly Night drops the killer Santa entirely and puts a coven of witches and a…
Festive Factor 21 out of 100: A different kind of Christmas.A slasher in a Father Christmas mask, made by people who clearly love the eighties originals and want you to…
Festive Factor 31 out of 100: A different kind of Christmas.Collections, stories & Christmas memories
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