Hardware
A Christmas film only on the calendar.
Festive Factor 10 out of 100: A different kind of Christmas.

Essential Christmas · 1996
A shot-on-video slasher from John Russo, co-writer of Night of the Living Dead, in which the obsessive…
The CineClaus Christmas score
A different kind of Christmas.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Chilly in tone. Strong threat. A bittersweet ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →As a boy, Wayne turned a gun on his mother and her boyfriend on Christmas Eve. Years later he lives next door to Raven Quinn, a scream-queen actress and mother of two who is shooting a cheap Christmas-themed picture just as her husband asks for a divorce. Wayne, her devoted fan and babysitter, decides she has been wronged, sprays a Santa suit black and starts killing the people around her. A shot-on-video slasher with a lot of softcore nudity, made by the co-writer of Night of the Living Dead and plainly for grown-ups only.
A shot-on-video slasher from John Russo, co-writer of Night of the Living Dead, in which the obsessive neighbour of a horror actress sprays a Santa suit black and kills the people around her. It looks as if it was made in one room over a weekend, and half of it is women posing for a camera.
Debbie Rochon gives it more than it deserves. The carols and the tree in the corner are the only warmth on offer. Strictly for collectors of Christmas horror at its cheapest.
Our take: adults only: repeated killings, drugged children and a great deal of nudity.
A Christmas film only on the calendar.
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