8-Bit Christmas
A nostalgia piece that knows exactly which Christmas it is remembering: 1988, a boy, and a games console he…
Festive Factor 61 out of 100: A different kind of Christmas.
Not really, no · 1967
A butler who steals to keep his employer in the dark about her bank balance is a premise that should curdle…
The CineClaus Christmas score
A different kind of Christmas.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Warm in tone. Mild threat. A happy ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →A dignified butler in a grand New York townhouse keeps his kindly, spendthrift employer from learning she is penniless by running the household staff as a polite ring of thieves. When a new secretary works out the scheme and falls for him, and one over-generous donation leaves a hole in the books, the staff plan one last big job on Christmas Eve. It is a light, old-fashioned caper comedy in which Christmas is the deadline and the shopping crowds, more than the subject.
A butler who steals to keep his employer in the dark about her bank balance is a premise that should curdle, and the film keeps it light by never letting anyone get hurt. Christmas is a deadline and a lot of wreaths rather than the point, so this is a caper that happens to land on Christmas Eve.
Dick Van Dyke plays it straight and Edith Evans nearly steals it. Pleasant, a little long on plot, best with a mince pie and low expectations.
Our take: fine for most children, as the thefts are played as a cheerful lark with no real danger, though younger ones may lose interest in the plot.
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