Christmas Bloody Christmas
Joe Begos wanted to make a killer-robot film and put it in a Santa suit, and his glee is all over the screen.
Festive Factor 38 out of 100: A different kind of Christmas.

Essential Christmas · 2018
A crowd-funded horror comedy that pits a retired, foul-mouthed Santa against Krampus on Christmas Eve, and…
The CineClaus Christmas score
Christmas in good measure.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Mostly warm in tone. Strong threat. An unsettled ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →On Christmas Eve, Alexi tags along with her friends Dahlia and Sadie, who make online videos exploring abandoned places, as they break into a derelict Christmas theme park out in the woods. Something there wakes up: Krampus, the horned demon of Christmas folklore. Their only help is a scruffy old biker who insists he is Santa Claus, long retired. A scrappy, crowd-funded horror comedy that puts jokes and practical monster effects ahead of scares, with Barry Bostwick having fun as the out-of-practice Santa.
A crowd-funded horror comedy that pits a retired, foul-mouthed Santa against Krampus on Christmas Eve, and knows exactly how daft that is. The Christmas is all in the premise: there is no snow, the theme park is a husk in a dusty pine forest, and the jokes land about half the time.
What carries it is Barry Bostwick, gruff and clearly enjoying himself, and a proper rubber-suited Krampus that leaves real practical gore behind it. Short and scrappy, but good-natured. One for a late night with friends, not the family.
Our take: not for children: bloody monster attacks, constant swearing and skimpy costumes put it in late-teens territory at the earliest.
Joe Begos wanted to make a killer-robot film and put it in a Santa suit, and his glee is all over the screen.
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