A Creature Was Stirring
A blizzard traps a mother, her locked-away daughter and two intruders in a house glowing with sickly…
Festive Factor 26 out of 100: A different kind of Christmas.

Essential Christmas · 2009
Zombies overrun Los Angeles a week before Christmas, and the holiday barely gets a look in: a few lights and…
The CineClaus Christmas score
A different kind of Christmas.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Cool in tone. Grim. A bleak ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →A week before Christmas, a virus turns a city's people into the walking dead. Police officer Frank Talbot and his partner and best friend Nash hole up in Nash's apartment, where they are joined by Frank's wife Sarah, who was about to leave him and has feelings for Nash. With the undead outside, the three are trapped with a triangle none of them can walk away from. A low-budget zombie siege with more relationship drama than tinsel.
Zombies overrun Los Angeles a week before Christmas, and the holiday barely gets a look in: a few lights and one undead Santa, under bright sunshine. What the film actually wants to talk about is a marriage falling apart in a barricaded flat, and that melodrama drags.
The practical gore is better than the budget suggests, and Jack Forcinito keeps things lively. The festive title is doing most of the Christmas work, so save it for a late-night horror slot rather than the December rota.
Our take: not for children: gory zombie attacks, people eaten on screen and a good deal of adult relationship drama.
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