Carnage for Christmas
Alice Maio Mackay was a teenager when she made this on next to no money, and both show.
Festive Factor 20 out of 100: A different kind of Christmas.

Essential Christmas · 2021
A vampire romance novelist takes in a wounded bat at Christmas and gets far more research than she bargained…
Rent or buy · Apple TV, Prime Video →The CineClaus Christmas score
A different kind of Christmas.

A little magic in the making.
Five ingredients make the Festive Factor.
Open an ingredient to find out more.
What we ask: Take Christmas out. Does the plot survive? Worth up to 30 of the 100 points.
What we ask: How much of the running time is visibly Christmas? Worth up to 20 of the 100 points.
What we ask: How many kinds of Christmas icon turn up on screen: trees, lights, snow, carols and the rest? Worth up to 15 of the 100 points.
What we ask: Does the ending depend on what Christmas means: goodwill, family, redemption, belief? Worth up to 20 of the 100 points.
What we ask: Is it actually watched at Christmas in the UK? Worth up to 15 of the 100 points.
Mixed in tone. Strong threat. An unsettled ending.
Festive Factor measures how Christmassy a film is. Five ingredients add up to 100: story (30), setting (20), seasonal details (15), emotional heart (20) and returning tradition (15).
Cosiness is a separate score for warmth of tone, sense of safety, visual comfort, a reassuring ending and how easily you can settle into it.
How the Festive Factor works →

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Olivia Romo is spending Christmas on her own in a snowed-in house she inherited from her mother, nursing the rejection of her vampire romance novel and trying to give herself a proper holiday anyway. When she takes in an injured bat from her garage, it turns into Luke, a wounded vampire, and she sees research for her next book. Luke's far less friendly pack soon come looking for him, along with a vampire hunter. A small, dialogue-driven horror comedy with a bright festive look and a likeable lead in Dennice Cisneros.
A vampire romance novelist takes in a wounded bat at Christmas and gets far more research than she bargained for.
Red Snow is small and talky, and it knows it: one snowed-in house, a handful of actors and a script with more jokes than scares. Dennice Cisneros carries it as a lead you like even when she stops being entirely likeable.
The lights and baubles are mostly dressing round a vampire story that would work in any month, but the ending has a nasty little sting worth waiting for.
Our take: not for children or younger teenagers: strong language, bloody images and some gore.
Alice Maio Mackay was a teenager when she made this on next to no money, and both show.
Festive Factor 20 out of 100: A different kind of Christmas.A remake that keeps the red suit and the grim childhood prologue, then rebuilds everything else as an advent…
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