Alice Maio Mackay was a teenager when she made this on next to no money, and both show.
It is a scrappy, gory slasher-whodunit about a true-crime podcaster heading home for an Australian summer Christmas, and its real subject is how a small town treats a trans woman who left. The season sets the date more than it drives the plot, and the tension sags in places, but it is short enough never to outstay its welcome.
Queer horror fans who like slashers camp and angry will forgive the rough edges for a film so firmly on its lead's side.